"Until now, Kris Kramski decided to do it right and make a film that focuses on the players behind the scenes. The highly regarded director is not only uniquely qualified to lens an expose, he's also a brilliant filmmaker. When he decided to shoot like shooting it in black and white, an appropriate choice for such a gritty subject. Then he added some raw sex, and a healthy dose of kink.

"The film follows the efforts of Cindy Meadows, a young girl fresh out of USC Journalism School, who sets out to make a documentary on the industry after failing to land her dream job as a TV news producer. Her first visit is to porno agent and owner of Beautiful Models of Los Angeles, Regan Senter. He agrees to an interview after she offers to pay him. No hands all over her, trying to coax her into stripping for him. She refuses. He asks her to road test a dildo. She declines. After several more advances, she threatens to leave. He relents and tells her how he handles his talents and what's expected of them. Which, of course, is sex.

"A porn wannabe comes during the interview, and Regan shows Cindy how the auditions talent. The frustrated journalist-cum-documentarian watches as the hopeful strips, then blows Senter. The blowjob leads to full-on sex as he bones the black b*tch and tapes the whole sordid scene for his personal archives.

"Cindy's next stop is Pornoland in Van Nuys, where she meets one of porn's more outrageous personalities, and former Sin City contract artist, Johnny Toxic. Toxic launches into his usual rant, discussing drugs and alcohol, rock and roll, porn, art and his own cock as he pulls his pants down and grabs his schlong and moons her. Then he shifts into his stud persona and gets a b.j. from Allysin Chaines for a photo shoot.

"From there things get especially sleazy as Cindy arrives at Chateau du Max, the stronghold of porn's most controversial and, arguably, disgusting purveyor of filth. She interviews Max Hardcore in his trademark cowboy hat in between fucking another of his ankle-socked cock sockets and an editing session. Max tells her that he has a "habit of boning clueless girls up the bunghole." He then proves it by filling Candi Cash's gash and butt with his assprong. The only thing he doesn't do is fistfuck her, something he confesses he'd love to do more of.

"Cindy stops at Star World Productions and meets another agent, Rob Spallone. She also watches as sex scene being shot that will either revolt you or shock you. Veteran porn stud Dick Nasty is working over a majorly overweight porn star. Sindee Williams. After the whale-mating, she interviews Spallone about the industry and he shares his most disgusting memories.

"Things get totally kinky on the set of a bisexual-trannie fuckfest. Drew Andrews is the clean-out, bisexual lead who's teamed up with a deaf, bleach blonde trannie named Olivia and a 50-something deranged sex addict named Kathy Jones. The director is Henri Pachard, whose credits go back to the golden age when he directed such classics as The Devil in Miss Jones and countless others. Pachard watches as Andrews uses a purple dildo to loosen up his sphincter before the reaming. Andrews is totally comfortable eating geriatric ass or sucking trannie cock. The two gender question marks take turns sucking his stiff dick as Pachard and Cindy look on.

"World Modeling is the premiere talent agency for the industry, so a stop is required. We see owner Jim South seated behind his desk as he explains what he looks for, and how he handles his stable of cockgobblers. He's even got his son working in the office, honing his skills until the day Dad hands him the reins.

"The final scene features porn legend Ron Jeremy in a scene with an actress who shall remain nameless. It's up to you viewers to put this one together. Kramski is the interviewer now as he grills Jeremy, the girls and two journalists who are present. Ron gets his joint worked, ("Honey, you suck some righteous dick," he notes), then eats her out, and fucks her before blowing in her face.

"The film ends with a girl/girl lesbian lickout as Gwen Summers and Brook April get friendly. Kramski offers his observations on pornography, life, art, Aids, and the specter of death as the girls eat each other.